City, Jerusalem

 

I was once in Jerusalem for a show as a guest of an Italian development organisation. I have kept a “Jerusalem” sketchbook ever since then. It is as complicated as the city it captures: an upside-down pathway with two entrances: one for the Arabic part, and another for the Hebrew part. At each end, the writing is different; dissimilar modulations of the same Semitic voice. The Arabic part begins with a tiny portrait of the Old City painted from a great spot on the Mount of Olives.

 Stefano Faravelli

 

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ISO. Sensitive … to darkness.

 

Photographing at night or in dark places is not always easy, however, like in the past, we can “change” the speed of our film. This is called “sensitivity” and is indicated by the acronym ISO. It varies from 200 (good light conditions) to over 6400 (bad light conditions) in medium quality cameras. To use an automotive metaphor, it would be similar to when we downshift to go uphill. We often change the ISO to manage exposure time and shutter speed in order to obtain the perfect exposure. In a digital camera, a high ISO can create a grainy image similar to film, which is less definite, a bit misty and sometimes quite romantic.

Vincenzo Cammarata

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Conversation 2

There are a few rules for writing good dialogue. First of all, it must outlined by establishing the general idea and the basic exchanges between the speakers. Do not always use the verbs “said” and “replied”, try to use a variety of expressions: “Paolo shouted” is very different from “Paolo whispered”.  Sometimes the reader can understand and follow the dialogue without such indications, for example when only two people are speaking alternately. Each character should have their own distinct voice: an old African clergyman does not talk the same way as you do. Then add the essential information – the time, the place, what the people are doing and where they are going – and the dialogue will be ready. It’s tough but worth it!

Claudio Visentin

 

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Conversations 1

In travel writing, dialogue is used above all to talk about encounters with foreigners (the local people). It is much more than just a conversation. As the dialogue progresses, it defines the characters and their relationships and advances the plot (by giving information, describing events, etc.). You will quickly discover that it is not easy to write good dialogue. Indeed, it is perhaps the most technical aspect of all writing and genres. A very useful exercise would be to record and transcribe a conversation that you have had with a friend, for example on Skype. You will be surprised to learn that a real dialogue can sound quite false on paper and vice versa.

Claudio Visentin

 

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